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Late Nite Comic (Studio Cast Recording) Julie Budd (Sealed LP)
Composer: Brian Gari
Lyricist: Brian Gari
Budd, Julie

List Price: $9.95
Price: $6.95
You Save: $3.00 (30%)

LP (VINYL)
ORIGINAL CAST RECORDS


NEW RELEASE


Product Description
The CD of the Studio Cast Recording is OOP but we just found a few LPs in our back-stock. The show stars writer Brian Gari & Julie Budd and a few cast members.

Track List:

1 Overture
2 Stand Up
3 Gabrielle
4 Best In The Business
5 Best in the Business (Reprise)
6 Clara's Dancing School
7 Lady Isn't Right For Me
8 Nothing's Changing This Love
9 Having Someone
10 Late Nite Comic
11 It Had to Happen Sometime
12 When I Am Movin'
13 Think Big
14 Obsessed See
15 Relax With Me Baby
16 Gabrielle (Reprise)
17 Dance
18 Late Nite Comic (Reprise)
19 It's Such a Different World
20 Gabrielle/Yvonne (Reprise)
21 It Had to Happen Sometime (Reprise)


Late Night Comic was a short-lived stage musical written by playwright Allan Knee and composer/lyricist Brian Gari, which ran for 17 performances on Broadway in 1987.

In 1976, singer-songwriter Brian Gari wrote a song entitled “Dance”, inspired by a five-year relationship that he had with a ballet dancer. As he later told a journalist: “'she left dancing, married someone else, had a kid and lives in Forest Hills - but I haven't gotten her out of my heart". Two years later, Gari came up with the idea of developing the theme into a semi-autobiographical stage musical, concentrating on the relationship between a songwriter, a ballet dancer, and a struggling stand-up comedian who was the songwriter's best friend. Gari wrote the entire first act himself, but the project languished until 1984, when he met an agent who liked the songs and introduced him to playwright Allan Knee as a potential collaborator. Within two years, the show had been substantially re-written, and now concentrated on the relationship between a stand-up comic and a dancer.

Gari's score incorporated several songs that he had composed many years earlier, including one entitled 'The best in the business', which he had written (about the subject of music publishers) as far back as 1972. The title song, 'Late Nite Comic', had been written in 1977 for an actual stand-up comic, Larry Cobb, whom Gari knew when they both performed at New York's Comic Strip in the late 1970s.

Dissatisfied with his agent's subsequent lack of enthusiasm, Gari took control of the project himself. He later recalled that, 'like a fairy tale', the first director and the first producer that he approached both agreed to become involved. The former was Philip Rose, whose previous Broadway musical credits included notable hits such as Purlie and Shenandoah as well as flops such as Angel and Amen Corner. The producer was 25-year-old Rory Rosegarten, who had an interest in comedy and, although he had recently served as executive producer for a comedy record by David Kolin, had never produced a Broadway musical before (and never would again). It was reported that Rosegarten raised the full production costs of $1.1 million in a single day, when, armed with a copy of the demo tape of the score, he visited the office of an anonymous benefactor (described by Rosegarten only as a “wealthy financier”) who promptly agreed to finance the entire production.

For the title role of stand-up comic David Ackerman, the director and producer sought either a stand-up comic who could sing and dance, or an actor who could sing and be funny – someone, as one reported suggested, like Robert Lindsay or Jim Dale. When auditions were held in July 1987 (appropriately enough, at the Comic Strip on 81st Street), more than 400 comedians turned up. The part of David was duly filled by Robert LuPone (then best known as Zach from A Chorus Line), with Teresa Tracy cast as his dancer girlfriend, Gabrielle. The remaining minor roles – including various friends, club owners, hookers and nightclub personnel – were performed by an ensemble of eleven that included future cabaret artiste Michael McAssey.

In an effort to reduce costs, the show premiered at the Garde Theater in New London, Connecticut, on September 9, 1987. At that time, out-of-town tryouts for Broadway-bound musicals were no longer commonplace (as they had been in the 1950s and '60s), but the American Musical Theater,a non-profit organization based in New London's Garde Theater, was hoping to reinstate the practice to revitalize theatre in New York. During the eleven days that Late Nite Comic played in New London, numerous major revisions were made to the show. The original opening number, 'Stand up' was moved to later in the first act; another song, 'When I am movin' was expanded, and the lyrics to several others were rewritten. Towards the end of the New London run, the song 'Nothing's changing this love' was replaced by 'Having Someone', although the latter would not be orchestrated until the show reached New York. Further changes took place during rehearsals at 890 Broadway, including the excision of a song entitled 'I live in L.A.'.[5] After previews opened on October 2, the title song was cut from the show, only to be reinstated, at Gari's strong insistence, on the night of the official Broadway opening. By that time, director Philip Rose (who suggested many of the revisions) had disassociated himself from the production, and requested that his name be removed from the credits.

The show opened at the Ritz Theatre on October 15, 1987, and closed two days later after only four performances. An unflattering review in the New York Times asserted that: Late Nite Comic has no sense of direction. It also has no sense of book or score. In the course of the show, the hero moves all the way from the Krazy Korn Klub to a tinseled stage in Las Vegas. We are asked to believe that in his rise to fame he has sharpened his comedy act and earned his success. Although the jokes are just as dreadful in the end as in the beginning, when he becomes a success more people on stage laugh at him. This is a musical comedy about a stand-up comic in which the hero tells not a single funny joke.'

Songs (as performed in the show)

Act 1

'Gabrielle' – David
'The Best in the Business' – club owners
'Clara's Dancing School' - Gabrielle
'This Lady Isn't Right for Me' – David
'Having Someone' – David and Club Owners
'Stand-Up' – David
'The Best in the Business (Reprise)' – David
'Late Nite Comic' – David
'Stand-Up (Reprise)' – David
'It Had to Happen Sometime' – David and Gabrielle
'When I Am Movin' – Gabrielle
'Think Big' – David

Act 2

'Relax With Me, Baby' – David, Bartender and Hookers
'Dance' – David and Gabrielle
'Late Nite Comic' – David
'It's Such a Different World' – David, Vegas Girls and Vegas Guys
'It Had to Happen Sometime (Reprise)' – David and Gabrielle
'Gabrielle/Yvonne (Reprise)' – David

Cut Songs

'Nothing's changing this love' – David
'Obsessed' – David
'Gabby, are you sleeping yet?' – David
'David, are you sleeping yet?' – Gabrielle
'I live in L.A.' – Gabrielle
'I wonder if I'll ever be a father/mother' – David and Gabrielle

Recordings

As the Broadway production ran for only seventeen performances, it seemed unlikely that an original cast album would ever be recorded. However, Gari subsequently negotiated with record producer Bruce Yeko, whose label, Original Cast Records, specialised in preserving the scores of short-lived or otherwise little-known stage musicals. Gari proposed a studio cast recording in which, as he later stated in the sleeve notes, 'I will try to present the songs as they were originally written and intended'. The album was co-produced by Brian Gari and producer/arranger Lee Shapiro, a former member of Frankie Valli's Four Seasons. Shapiro also provided new orchestrations for the recording, in the absence of the show's original arranger, Larry Hochman. Intended as a studio recording rather than an original cast album, the songs were mostly performed by Gari himself, along with Julie Budd, Robin Kaiser and Michael McAssey (who had been in the ensemble of the ill-fated Broadway production). The recording sessions took place in March 1988 in Lee Shapiro's Synclavier Studios in New York City. The LP was released later that year, and subsequently re-issued on compact disc (on the same label) in 1989.


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